Skip to main content

Woman in man's rage


Personal Jottings
RK Rishikesh Sinha

Since immemorial time, a woman has been the image of culture and custom of one’s society. She observes all the cultural societal norms. Subsequently, she has always been the subject of discussion, analysis, and study. Recent incidents related to women are not new but the upsurge of hue and cry does claims genuine concern for the lesser half from men too.   

Notwithstanding, society has also been playing its role since the beginning of human civilization. But it could not be observed as negative, prejudiced or derogatory but certainly it has founded few conceptions, beliefs related to women, which have taken a drastic form now in this modern era. 

A major component of discussion and debates about women are related to dress. It is through dress a woman speaks about the class, society that she belongs. And non-adherence of rules is subject to scrutiny on her. Here I recollect an incident while I was in school. One day, our class teacher, who was an old Kashmiri lady, instructed me to call a particular girl from a group of girls who were returning from the morning assembly. As soon as I brought her to our class, the teacher scolded her in front of the whole class for wearing above-knee skirt. Though, it was a passing incident for me, I remembered it. As I have said in the beginning dress speaks a lot. Her father was a high-rank Army officer, a ‘class’ of its own, especially in defence.

Not enough, the same teacher once in her visit to our house commented, “Do women in Assam wear such dresses”; I immediately retorted, “Madam, I have never seen women in Assam wearing ‘this’ particular dress”. I learnt her observation came after watching a song from the Caravan movie that was coming in TV. Today, I think, how people make wild guesses and start believing about ‘other’ culture just watching mere dress of an actress. And in this present time, we are indeed living in a movie-like world. We watch a girl who is not in conformity with our prejudiced eyes, and we start making assumptions after assumptions, later we don’t know when these turns into beliefs.

That day I was in conversation with a familiar friend in my locality. Suddenly his topic changed to women or girls from Northeast India. The change in topic came when we both saw a girl from Northeast India wearing ‘western’ dress passed across us. She was looking extremely elegant. He said sarcastically, “‘See, the girl is uncomfortable in her dress and high-heeled sandal; still she is walking’. ‘They are ‘western’ in culture, isn’t’?” I amused thinking what on earth gave him the impression that the girl is feeling uncomfortable in her attire. I didn’t say anything to his talent of reading people. However, that day to kill my time with complete black-out everywhere, I commented on his ‘western’ perception about the girl’s dress. I said, “No, they are not ‘western’, they follow Indian culture”. Not amused by my answer, he stopped the conversation without uttering a word and soon left.

The girl went to her own way, but she gave lot of messages to be manufactured by the observers and onlookers; ironically all the messages are being interpreted according to one’s social and cultural milieu.We can’t deny that we are living in a paternalistic society where man decides the shape of the society without any consent of his other half. He can’t face sharing of same space with women.

The struggle on space between both the sexes comes down even into public places. Few men forget while travelling in buses and metros they have to abide by certain laws. In Delhi Metro rail, the first boggie is reserved for women. Some travellers knowingly or unknowingly occupy the reserved space there. When confronted by women, these men take it into their big ego and they erupt like volcano.  Tongue-tied in English, these men finding their machismo been hurt go berserk and roar, ‘angrej chale gaye, angreji chor gaye!’And some travellers are too smart to raise women issues in public transport system. One day while travelling from Chowri Bazaar Metro Station (the deepest metro station in the Delhi metro network), I witnessed a middle-aged man seeing a woman entering into the overcrowded boggie started saying ‘sarkar ne mahilao ko bahut adhikar diye hein, jinka mahilaye galat istemal kar rahi hein.’

Talking about the Guwahati incident and the attack on a ruling Congress legislator from Barkhola Assembly constituency in Barak valley, I somewhere consider it was pre-planned, and was minutely detailed in newsroom, the way they wanted to see it to happen.

Keeping aside the role of media for a moment, one thing that surprised all of us is the social acceptability of violence on women. In these two incidents, 5-6 persons were not involved, a mass of people were directly or indirectly were perpetrating the violence. It cannot be just said that these acts were based on patriarchy or machismo; rather it has got something to do with the power structure of our society. And those on the high echelon of power or the so-called elites don’t want to upset the power alignment. 

image link: http://idesigniphone.net/wallpapers/51375.jpg

Comments

Popular posts from this blog

Flinders University appoints Dr Romi Sinha as Associate Lecturer

Dr. Romi Sinha, appointed Associate Lecturer at Flinders University, Australia Adding one more story of Indian diaspora by individuals who by dint of their single-minded dedication and hard work achieve success, Dr Romi Sinha, an alumna of Silchar Medical College, Assam, is one among them. Daughter of Rebati Mohan Sinha, she has been awarded the post of Associate Lecturer in the School of Medicine at Flinders University, Australia.  Since its inception in 1966, the Australian university has built a strong reputation for quality and innovation in its courses and in its teaching. It is the first university in the world to have a bachelor course in nanotechnology, and the first in Australia to offer a graduate entry medical course. Throughout its history, Flinders University has had a focus and an emphasis on research .  Her achievement is an inspiration for students and parents to lay emphasis on quality education. 

A life devoted to poetry

Courtesy: The Sentinel By Champalal Sinha In the world of present Bishnupriya Manipuri literature, the man who first makes his imprint on our minds and reflects his image in our eyes, and the name that comes first while discussing the literature of the community is poet Brojendra Kumar Sinha. His fault-finders will, however, have a different view. His is a life totally devoted to poetry, and this is his first identity. It’s poet Brojendra Kumar Sinha who first introduced structural aspect, subject matter, mode of expression, appeal, soul (core), rhetoric and the like in a conscious way in Bishnupriya Manipuri literature in order to put it on a par with developed literatures in the world. And he has been successful in his relentless efforts towards that end. His poems have been translated and published in English, Bengali, Assamese, Nepali, Kokborok, Manipuri, Urdu and other languages, and received with applause. Talking straight, he is the architect of modern Bishnupriya Manipuri poe...

The 'Star' Krishankant Sinha of Space City Sigma

By RK Rishikesh Sinha, New Delhi It is a myth that the all-knowing Internet knows everything. One such myth relates to old television stuff aired on Doordarshan before 1990. Search in Google “Space City Sigma”, the search engine would throw up reminiscent results from the people who still long for those days. Those days were really golden days. Krishankant Sinha in the role of Captain Tara in Space City Singma For those who have watched Doordarshan some 15 to 20 years back, am sure they will have nostalgic memories of it. The days when possessing a now ubiquitous looking television set was a luxury. It was a neighbour’s envy product. It was a visual product to showoff, to flaunt that we have a television set . Those were the days when black and white, locked television was rarely found in homes. The days became immortal for teleserials like Ramayana, Mahabharata, Swami’s Malgudi Days (Ta-Na-Na-Na…), Ek-Do-Teen-Char (Title song: Ek do teen char, chaaro mil ke saath chale to ...