Bishnupriya Manipuri Online

Rebati Mohan Sinha Amar tharor onek potro potrikat pakoriar, Bishnupriya Manipuri bhasha ehan mimut onar pothe, karon’han antorjatik sanstha UNESCO’oi mater. Morang proshno ahan sob somoy jagertai, bharator ‘Jana jati’r upore tothyo songroho (survey) koril kuno nijoswo machinery UNESCO’rta aseta amar bharote? na bharat sarkare der tothyo outar upore nirbhor koria easade report publish korerta? Bharator 2001 baro 2011’r census report’e mater’tai Bishnupriya bhasha ehan bharator 100’han non scheduled bhashar modhye ahan. Ami,10 bosor ontor ontor bharator lok’gonona’or, ehanore biswas kortang na Antordeshio Sanstha ahanore biswas kortang? Ami bideshe asi’etai jobor phapor agot poresita.. Nijor gang desh beleya bideshe aya thanar habitto hin`han, imar thare totora nuarani ehan. Banglai pakoresi`langta, “ Bina swadeshi bhasha, (kokhono) mitena asha”. Amar thare na totoreya, arak thar ahanlo totoranir hin’han bideshe jorom osi sou etai supou harnapeitai, karon tanu, amar thar`hano

Rebati Mohan Sinha                                                                   Goto 131 tomo Radhamadhav Mandir Parchalan Samitir barshik sabhai, chief guest bolechhilen “ kaal bhenge porbe yatri nivas`e taka debo keno?”committeer pokkho theke sedin , na president Shyam Sundar Sinha, na Secretary Krishna Charan Sinha, dujoner keou uthe darhiye uttor debar sahas jutate pareni. Ei holo yatri nivaser prokrito obostha. Bishnupriya Manipuri samaj theke Yatri nivaser jonye lokkho lokkho taka adai kora hochhe; kintu taka`ta jachchhe kothai? 2009 ebong 2010’er kuno audited account nei othocho barshik sadharan sabhai jor golai sadharon sampadok bolechhilen ‘audit cholchhe’. Ar koto bosor lagbe audit shesh hote? .Patherkandi nivasi Pandit Pundarikakskha Sharma 1843 saale, tirtho yatrider  aashroyer subidharthe ekta porikolpona haate niye yatri-nivaser kaaj arombo kore chhilen. Aaj sei yatri-nivas dekhle mone hoi besh koyek doshok dhore porityokto. Dorja-janala bhenge porchhe,

Rebati Mohan Sinha Goto koyek din aage Silchare ‘Radhamadhav mandir parichan samitir anchalik committee’r  loge Kendriya core committee’r sodosyo kotgor meeting ahan osil bulia khobor peilang. Agenda pointgi asiltai :-  Ek takar Sthayee fund agor gothon, baro 5000/- teki donation, nua yatri nivas honkoranir’ka. Yodi ami Radhamadhav Samachar patrika’hanor ( jehan parichalan samitir mukho-potro, choturtha sankhya) oubede milling ahan diar, taaile nojore poilai aherta 2011’r dainik 1 takar hisab nikash. Loya-loyatto koti kita ahese baro kungoi koti-kita desi ehan pathok’orang jobor parishkar ose. Ere dainik chanda ehan belasita 3 bosorey porilga. 2011’te Sorb’mot rupa uthese’tai 13526/-taka, baro chanda desi manur sankhya oiltai 40’go. Ebaka statistic’or bede khalkorle, dehiarta proti loyai gor’porta (average) bosore ditarata 615/-taka orthat proti loyatto hudda duggo manue dainik 1 takar chanda ehan ditara. Esade matani’ou yakorer, 13526/-taka hudda 60% loyatto (13 go loyatt

Ramlal Sinha Culture can bridge barriers like nothing else, no matter how deep and wide they are. Our very own Bhupen Hazarika was among the most successful cultural icons who could unite people across cultures in his lifetime. It was not for nothing that the very first issue of Seven Sisters Post branded itself to widely cover the life and contributions of the man when he had breathed his last. And this happened at a time when the cultural bridge in Assam was collapsing.  When a bridge falls, it is the duty on the part of those who are in the trade to repair or erect it afresh. Such a bond is strengthened when there is an enriching exchange of tradition in its truest sense.  Following the icon’s footsteps, a troupe of artistes from Assam, including cine stars Malaya Goswami and Nishita Goswami, Bihu Guru Madhurima Choudhury, Manipuri dance guru and Kalasamgam Cultural Society principal Bibhul Kanta Sinha and others participated in the ‘Incredible India Day’ prog

Dr Smriti Kumar Sinha (Translated by Ramlal Sinha) It’s Sunday. Getting out of bed, Rajen read the wall clock ­­­– 9:40 am. He massaged his head with the palms put together. Notwithstanding the palms going much higher up, there was no trace of hair – a mini-stadium. His was an arduous elevation from a clerk to the superintendent. Why wouldn’t ageing cast a shadow on him? Seema kept a cup of lemon tea on the table. Taking a few sips, he went out to the verandah making dull thuds. He lighted a cigarette and plumped down on the arm chair. The fat deposits in his body shook, as though a tremor rocked the earth. He stretched and yawned. His breath was still reeking of alcohol –‒ strong defence liquor. His boozing the night before was beyond his limit. In the past, to dodge Seema, he had to use snuff to overlap the reek of one or two pegs. As he graduated in boozing, the insomniac liquor bottles had to stand erect in his bedroom throughout the night. Seema had issued him the

Inaugural programme of vocational training centre on Bishnupriya Manipuri cultural events (Dakula, Isalpa) and knitting cutting tailoring was organized by the socio-eco. development organization “Marup” at Radha Krishna Sevashram , Diphu, Karbi Anglong on 26th August. 2012. The inaugural programme was presided over by the chairman of Marup, Sri Putul Singha and the dignatories as well as guest presented were Sri Anil Singha Gautam, Sri Ananta Kr. Singha , Sri Dananjay Singha , Sri Aswini Kr. Singha the Executive Member of BMDC.  The Marup appointed three teachers – Sri Manibabu Singha, Sri Krishna Mohan Singha, Sri Parameswar Singha – as Isalpa, Dakula and knitting and tailoring teacher respectively. Almost 25 nos. of students registered their names as students. All the expenditure in connection with vocational training center was borne by Marup.  Executive Members of Marup President – Sri Putul Singha Vice President – Sri Rabindra Singha Gen. Secy. – Sr