Bishnupriya Manipuri Online

Topo Singha Ojha Brajakumar Sinha, fondly called as Pocha Ojha by his fans, rose like a phoenix from the ashes. The credit goes to Jolly Productions that made its maiden appearance at Shilpgram, Guwahati on April 26, 2014 when an audio and two video CDs on the performances of the late singer were released. The audio CD, a cultural showdown (fangna) between Pocha Ojha and Ojha Chandramohan Sinha, was released by nonagenarian Srimati Githanak Devi, mother of the man behind Jolly Productions, SP Pratap Sinha. The ceremony was quite simple yet redolent of the profound love and respect to a mother whose tender love and care are too important to be without for the all-round development of a child. While the video CD, Manshiksha, was released by none other than Srimati Pramila Sinha, widow of Pocha Ojha, the other video CD, Gosthalila, was released by public prosecutor Bhimsen Sinha. The function on the release of the three CDs and the discussion on rasakirtan were presid

By RK Rishikesh Sinha Today Delhi (April 10) went to vote for the 7 Lok Sabha seats. And I am one among millions whose names have appeared first time in the electoral roll. Of course the day is important for me — it was my first voting experience.  Like anything ‘first’, it has its own sweet and sour ingredients to the whole story. Fail in Duty I got my Voter ID card in 2013 along with my father, mother, sister, and my youngest brother. But this time when I submitted an application online for my wife and my younger brother, they were not provided with Voter ID cards. Reason cited, according to the official website — address not found. The day when I got the call from the BLO about the application for my wife’s Voter ID card, I was outside. So, couldn’t meet the BLO. That’s fine. I thought let’s see the fate of my brother’s application. This time, neither any call nor any visit had been done. However, it met the same fate — address not found. So, two people of my fam

Children Corner - Ritwick Sinha,  Class-VIII,  Don Bosco Sr. Sec. School, Guwahati.  Year 3100 AD. India has completely changed from what it was some thousand years ago. I was in a place called Axemland, which I think was probably known as Assam long ago. I am not sure, as I had just reached this place with the help of a time machine. I was new to this place. I was one of the very few ‘complete humans’ here. All the others were a mix of humans and robots and called themselves ‘Robohumans'. They had prosthetic limbs. Their brains were more developed than the normal human brain. This combining of humans with robots could turn out to be the end of human life on earth. Then, as I walked down the road, I was stunned to see a skyline where each skyscraper was more than 2,000 metres tall. I also saw some flying cars, which the Robohumans called the ‘carocopters', and then I saw some passenger vehicles – all of which could fly! I also had a view of the ‘warp drive', a

Topo Singha Bishnupriya Manipuri short story writer Prof. Smriti Kumar Sinha penetrated the Eighth Schedule roadblock on the road to Indian Literature yet again. ‘God for a Night’, English rendering of his ‘Rati ahanor Bhogoban’, was published in the January/February 2014 279 issue of prestigious Indian Literature, Sahitya Akademi’s Bi-Monthly Journal. The story in question was translated into English by journalist Ramlal Sinha. Indian Literature, as Sahitya Akademi claims, is India’s oldest and only journal of its kind featuring translations in English of poetry, fiction, drama and criticism from twenty-three Indian languages besides original writing in English. Offering a feast of literature, Sahitya Akademi further claims, Indian Literature is also highly valued as a source of reference in India and abroad and is a must for libraries and for discriminating readers, researchers and students of creative and critical literature. ‘God for a Night’ is one among the five short stori