Skip to main content

Mumbai's Assamese community celebrates Rongali Bihu with gaiety

rongali bihu mumbai assameseIt was a day of celebration for the Assamese community living in Mumbai and in its adjoining areas on April 18, 2009. The national festival of Assam “Rongali Bihu” was celebrated with much fanfare and gaiety at Assam Bhawan, Vashi, Navi Mumbai.

The celebration which drew attendance from all walks of life underwent with songs, dances, Jeng Bihu, and Hoosari. The day also marked the felicitation of Amrit Pritam Dutta, Sound Engineer of the Oscar movie Slumdog Millionaire, Debojit Thousen, Executive Member, North Cachar Hills Autonomus Council and Abhilash Phukan, Guitarist.

Assam Association MumbaiThe evening started with the welcome address by Shyama Prasad Borthakur Vice President, The Assam Association, Mumbai, followed with the Banti Prajalan by Devasish Sharma, Dy.Resident Commissioner of Assam Bhawan, and Paban Kr.Kotoky, President, The Assam Association, Mumbai.

It came as a special day for the attendees as they were able to enjoy in one platform the traditional Bihu and the modern songs sung by luminaries like Gakul Das, Gakul Puri and Manmi Baruah. Other singers who also cast their magic on the audience were Anjana Saikia, Bharati Hazarika, Rajjyoti Konwar, Bedanta Rajkhowa and Ramen Goswami.

Group Bihu dance showcasing the “Bihoor Ananda” among children was performed by Prantika Das, Debanuj Borouah, Satarupa Saikia, Reshab Sharma, Bhargab Newar, Monali Sharma and Sargam Hazarika.

This ensued with the special performance by Shivani Sharma who enthralled the audience by her Bharat Natyam dance. The fabulous chorus was sung by Heera Saikia, Anjana Saikia, Anjali Handique, Indrani Borpujari, Dipali Newar, Deepali Gohain, Chinu Borgohain, Monalisa Duarah, Juri Duarah, Tripti Konwar, Doobari and Bornali.

A breath taking children dance, directed by Nitu Pegu, on the song "Tilai-Tilai" of Kolaguru Bishnu Rabha, was performed by Satarupa, Dikshita, Bhavana, Viona, Kritika and Prantika.

Finally, came the turn of the modern dance by Karishma Borpujari, disciple of Padmashree Pushpa Bhuyan, who presented a dance from the movie "36 China Town".

One of the highlights of the evening was Jeng Bihu performed by Sreemoyee Mahila Samitee, and directed by Indrani Borpujari and Dipali Newar. The traditional folk dance of Assam was performed by Juri Dowerah, Monalisa Dowerah, Kakoli Saikia, Hira Saikia, Indrani Borpujari, Karishma Borpujari, Chinu Borgohain, Dipali Gohain, Dipali Newar and Tripti Konwar.

The entire programme was anchored by Nilakshi Phukan, a trained classical singer and stage performer of classical music at different places of Assam.
The Mumbai Rongali Bihu for the year 2009 ended at midnight of April 19, with the vote of thanks from Deepen Rajkonwar, General Secretary,The Assam Association, wishing everyone happy and prosperous new year and with a promise to meet again next year.

Get Free alert on your mobile! Click here.
Subscribe:

The Bishnupriya Manipuri
E - World
English Grammar

Comments

Popular posts from this blog

Sri Sri Bhubaneshwar Sadhu Thakur

By Ranita Sinha, Kolkata Sri Sri Bhubaneshwar Thakur, the great saint of the Bishnupriya Manipuri Community was born on 26th October, 1871, in a remote village of Cachar district called Baropua in the state of Assam. He was born to a Xatriya Manipuri family. His father Sri Sanatan Pandit was a Sanskrit teacher and mother Srimati Malati Devi, a house wife. Sadhu Baba from his childhood was indifferent to all worldly happenings. He was engrossed in chanting the name of Lord Krishna. Along with other students of his age, Sadhu Baba started taking lessons of grammar and other spiritual literature from his father. At a very young age he lost his mother but he was brought up with utmost love and care by his step mother. At the age of eighteen, Sadhu baba lost his father, so, to continue his spiritual education under the guidance of Rajpandit Mineshwas Swarbabhwam Bhattacherjee, he went to Tripura. But within one year he made up his mind to visit all the holy places and as such he took permis...

The 'Star' Krishankant Sinha of Space City Sigma

By RK Rishikesh Sinha, New Delhi It is a myth that the all-knowing Internet knows everything. One such myth relates to old television stuff aired on Doordarshan before 1990. Search in Google “Space City Sigma”, the search engine would throw up reminiscent results from the people who still long for those days. Those days were really golden days. Krishankant Sinha in the role of Captain Tara in Space City Singma For those who have watched Doordarshan some 15 to 20 years back, am sure they will have nostalgic memories of it. The days when possessing a now ubiquitous looking television set was a luxury. It was a neighbour’s envy product. It was a visual product to showoff, to flaunt that we have a television set . Those were the days when black and white, locked television was rarely found in homes. The days became immortal for teleserials like Ramayana, Mahabharata, Swami’s Malgudi Days (Ta-Na-Na-Na…), Ek-Do-Teen-Char (Title song: Ek do teen char, chaaro mil ke saath chale to ...

Bishnupriya Manipuri Development Council: Few Pertinent Questions (Part I)

By Rebati Mohan Sinha On last 25th March 2010 there was an announcement in the floor of the House that the Government of Assam has agreed on principle to form three separate Social Economic Development Councils for Bishnupriya Manipuri, Nath Yugi and Maimal. And now the Cabinet Committee has given its nod. It will be placed in the House (not yet placed) and once it is passed, then a Ministerial Committee would consult the stake holders i.e. these three communities, regarding their aspirations and would send its recommendation accordingly to the Central Government for further action within the next two months. The two months time since been elapsed, even then the bill is yet to show its face in the House. The Ministerial consultation is quite far away. Why am I repeating the same thing now is because of a section of Bishnupriya Manipuri started quarreling for the share of so-called power, from now on, without knowing the outcome of the development which is taking place in the...